I’m a young neurodivergent trans and queer person from Iztacalco mexico city living in Squamish, Tsleil-Waututh and Musqueam territories since 2012. My work includes consultation, program development, resource creation, and training on gender diversity in healthcare and disability in arts. I’ve worked at Vines as the Accessibility andVolunteer Director since 2019. My work centres lived experience and anti-oppression. I strive to build relationships based on mutual respect and compassion through my work. You can email me at firstname.lastname@example.org to ask questions, give me feedback, and make accessibility related requests.
I am a community organizer, artist, and facilitator living on Musqueam, Squamish and Tsliel-Waututh territories. I am the Artistic Director at Vines, and have grown with the festival since it’s beginning over the past seven years. I am so grateful to have been learning with the community of artists who percolate the work we do. I am committed to my responsibility to imagine and co-create nurturing creative spaces for artists. Outside of Vines I utilize my Somatic Education training from Tamalpa Institute to facilitate movement and expressive arts classes. In the past I have worked for Raven Spirit Dance, PuSh International Arts Festival, Dancing on the Edge and the Firehall. I love to garden at Harmony garden, X̱wemelch’stn pen̓em̓áy, hang out by a river and eat good food with community. I can sometimes be found performing in unexpected outdoor spaces with the collective Pressed Paradise.
in an act of rebellion, fanny walked away from nearly a decade as a social worker and headed west to pursue lifelong dreams. fanny fuses her experience as a social worker and lived experiences as a marginalized human to express her artivism through means of poetry, storytelling and community advocacy. in 2021 fanny won the Harold Green theatre monologue competition. they sit on the Curtain Razors arts board. her first book, umi's prayer was released June 2023. fanny is a Black, Sapphic, Jewish settler working towards land & relational justice.
Amanda Parafina is a performing arts stage manager and producer. A second-generation Filipino settler, she has grown up, lived and worked throughout the unceded and ancestral territories of the Kwantlen, Tsawwassen, Musqueam, Squamish, and Tsleil-Waututh First Nations. With a BFA in Theatre Design & Production from UBC, Amanda finds joy in working with artists to create and play; to ensure everyone feels supported and cared for in creating their art, and is grateful to be a part of the process.
jaz is a mixed secwe̓pemc & scottish interdisciplinary artist who embodies anti-professionalism & anti-colonialism as a way to move toward a future where indigenous knowledge and ways of being are not only respected but valued & revered. using a range of materials, forms and mediums they work to investigate and express their lived experience and understanding of spirituality, resistance, ancestral connections, and community care.
jaz’s ancestry ties them to cstálen “adams lake” in unceded secwepemcúl’ecw in the southern interior of so-called “british columbia” where they had the privilege of being raised close with the lands and waters within their territories & beyond, and it informs their work expansively.
living predominantly on the west coast since 2017, the bulk of their work has bloomed within the traditional territories of the Skwxwú7mesh, Səl̓ílwətaʔ, xʷməθkwəy̓əm, and Stó:lō where they have been overwhelmed with the warmheartedness, & generosity of the host nations and allied communities
Senaqwila Wyss is Sḵwx̱wú7mesh, Tsimshian, Sto:lo, Hawaiian and Swiss. She holds a Bachelors of the Arts Degree in the Faculty of Communications, Arts and Technology, with minor in First Nations Studies. She also holds a First Nations Languages Proficiency Certificate in the Sḵwx̱wú7mesh Sníchim, and is pursuing her diploma in furthering her fluency and proficiency in the Squamish language. She and her husband are raising their 4 year old daughter, and 2 years ago adopted her 9 year old niece, to be first language speakers, which has not been done in her family four generations after colonial impacts; while also learning with her husband Justin Leo’s Líl̓wat Ucwalmicwts language from the Lil’wat Nation. She practices ethnobotany with traditionally trained mom Cease Wyss with indigenous plant medicines. Senaqwila was raised learning these ancestral teachings and uses plants as teas, medicines, tinctures and ceremony. She passes on these teachings to her children.
jaye simpson is an Oji-Cree Saulteaux nonbinary transfemme storyteller from the Sapotaweyak Cree Nation. An avid community organizer with a fondness of Social Justice and Equity, they find themselves often planning rallies, teach-ins, reading series and celebrations of resistance.
jaye is a displaced indigenous person living, creating and occupying on xʷməθkʷəy̓əm (Musqueam), səl̓ilwətaɁɬ (Tsleil-waututh), and sḵwx̱wú7mesh (Squamish) First Nations territories.
Adriana Contreras (she/her) was born in Bogotá, Colombia and moved to BC with her family in 1998, at the age of fifteen. Artistic expression has always been a central part of her life but became an essential tool for navigating the world as a first-generation immigrant. Adriana completed her BFA at SFU School for the Contemporary Arts in 2006 and has worked and volunteered with numerous Cultural and Community-based organizations for 20 years.
Siobhan (sha-von/Sio/they/she) is of a stolen people living on the stolen, unceded, and ancestral land of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. Sio was born and grew up on the traditional territory of the Three Fires Confederacy of the Ojibwa, Odawa, and the Potawatomie Nations in Windsor Ontario. As a Black presenting, gender-fluid person, of mixed African-Indigenous-Latinx-European ancestry living with disability they recognize and value the many intersectionalities that contribute to furthering decolonization practices. Siobhan is a published and Nationally recognized bilingual writer and performer who’s community and artistic work, explores relational justice in many forms. A Justice/Equity/Diversity/Inclusion(JEDI) speaker on organizational change, a facilitator with an emphasis on Disability Justice, Body Liberation and Food Justice with Hogan’s Alley Society, Open Access Foundation, The Federation of Black Canadians, Canadian Association of Fringe Festivals, Community Food Centres Canada, and through consultancy.
Katia Asomaning (pronouns: fluid) is a settler on the unceded territories of the šxʷməθkʷəy̓əmaɁɬ təməxʷ (Musqueam), Skwxwú7mesh-ulh Temíx̱w (Squamish) and səl̓ilwətaɁɬ təməxʷ (Tsleil-Waututh) Nations. They are passionate about: advocating for marginalized people; community building; uplifting and celebrating QTBIPOC voices; storytelling and narrative; and wellness.